Experience the world through the eyes of a child

Once in a while we get to rule the streets - family and friends relax on the tracks between sessions at the Beaches Jazz festival on Queen Street East.

My teen home was filled with Catholic guilt and conditional love. We were kept in line with angry words, long spans of silence and enjoyment withheld, including Christmas presents and time out on weekends with friends.

When my second son was born, tired and cranky, my self-awareness became heightened.

It was time to become a better parent if I wanted a home filled with harmony, cooperation and love.

    It was heartbreaking listening to Patrick O'Sulivan's interview on The Current, wonder why no one ever stepped in when his Dad was beating him in the parking lot after hockey practice.

    In junior school, my entire class received a caning one day. Someone had done something wrong and No one had owned up to some wrong doing so we were all lined up outside and with outstretched arms, each received two lashes each. It stung like hot coals - swollen, broken skin, shamed in front of the school.

    Names like Bones, Chicken legs, Breastless  came at me as a preteen and I learnt that words could sting as much as that cane.

    Petar was excited to start school at 5 years old in Croatia. He quickly learnt that a bad grade in English would mean a beating at home.

    When he ran away from home for three days, nearing starvation, he reluctantly returned.
    The beatings never stopped until he was old enough to stop the hand himself.

    Patricia grew up on the Caribbean island of St. Vincent with her single Mom who would brandish her with an iron comb and take a hammer to her head in rage.

    Andy's parents used corporal punishment as a motivational tool to increase grades, while at school he faced racial slurs and death threats as a minority Chinese Canadian in his neighbourhood.

    Norman became a good runner as a kid. As a fun loving geek growing up in Mississauga, he'd run or ride his bike to school every day.
    Those skills were useful in making a quick getaway from bullies on the football team at the end of school.

    Deng was a young man in Dafur when he was captured and kept in a deep, dusty hole in the ground for days on end with little food, water - no bathroom facilities.

    When Steve was five, it felt natural to use his left hand but whenever he picked up a pencil, he got rapped on the knuckles hard. Over and over this happened. He was told that it was the hand of the devil working.

    Do you have a childhood pain that cuts deep? Scars that fade but never go away.

    In the early spring the Willow trees attracts aphids but a few weeks later, become an elegant shelter for family gatherings at the Lake.

    Beaches Jazz Festival is fun for the whole family - Moka  brings it's blend of calypso, folk, reggae and parang to the streets summer 2015

    Learning the hula hoop with the family, Saturdays at the Evergreen Brickworks

    Inherited from the Pan Am Games, the colour-changing Toronto sign at City Hall is a perfect selfie backdrop
    Union Summer brought Front Street Eats on the street - a few picnic tables and umbrella for shade makes a difference with the Union Station construction

    In the backyard this  summer, the Nasturtiums went wild - easy-to-grow annual with edible leaves and flowers. 

    Bluffer's Park at the Lake.

    Kayaks and Canoes ready to go for a day sail

    There's nothing like being near the water on a hot day - Bluffers Beach.

    Lavendar is a flowering plant in the mint family that smells heavenly, is edible, has antiseptic and anti-inflammatory properties. Bring some indoors in the wintertime.

    Davisville Junior Public School is about to be transformed into a community mid-town hub. Learn more at  midtownhub.ca

    One Rule | Be Kind

    Manifesto of Kindness

    1. Be kind to loved ones: Treat those in your care as you wish to be treated
    2. Be kind to others: Put yourself in their shoes
    3. Be kind to the planet: Plant one tree in your lifetime
    4. Be kind to all living things: Remember reduce, reuse, recycle?
    5. Be kind to Yourself: Put it on your skin if you can put it in your mouth.

    From the exploring kids to the recycling entrepreneur, everyone's belongs at the intersection of Queen and Yonge. 

    Sometimes the best of friends can cut deep with words. What are the North Toronto kids are wearing these days? - the Herschel Supply Company Backpack is a must-have.

    Parenting classes gave me the tools not only to communicate with my kids but to reflect on my own behaviour as a parent, to be in the moment, every day.

    Here what I learnt from Beverly at the Parenting Network:

    • Equal rights, not equal in abilities
    • Keep "No" "Don't" to a minimum. Praise good behaviour. Ignore bad behaviour
    • Use "I" Messages; describe the behaviour, say how it makes you feel, describe the consequences of that behaviour
    • Always offer choices. example: "Time to get cleaned up, do you want a bath or a shower?"
    • Show children your trust, not your anxiety.
    49 Phrases to calm an anxious child

    Learn in your own way: essential parenting classes in Toronto, audio downloads and this book:

    Raising Great Parents: How to be the parent your child needs you to be.

    photos: Summer 2015 Toronto
    Continue Reading

    Communicating with Colour - A quick guide for marketers

    Colour | Color

    Colour is a strong and effective communication tool that can quickly deliver a message, set a mood or evoke emotion in the blink of an eye.
    With this in mind, the correct colour choice is an essential aspect of brand success.

    Think of the brands that have the strongest presence in today's marketplace.
    For advertisers and marketers, choosing the right colour is not only an art; it is also a science.

    Red is 

    Sexy, dynamic, stimulating, exciting, provocative

    Warm tones - high-arousal colours, red in particular creates the highest arousal threshold in humans.
    When the human eye sees red the hormone epinephrine is released altering our body chemistry causing high energy and excitement.

    Red is aggressive in nature, it commands attention and more importantly it demands action.
    At the point of purchase, red is virtually impossible to ignore.
    Word association studies and consumer response studies tell us that the consumer sees red as passionate, provocative, exciting and dynamic.
    Red is seen as the sexiest colour and is therefore equally seductive in the marketplace.
    Even when red shades are darkened to become a burgundy shade, they still maintain the enticement and excitement of the primary colour from which they came, but the result is more subdued.
    Consumers tend to respond to these wine tones as rich, refined, expensive and are seen as more authoritative, mature, lush, opulent, and elegant than primary red making them a good choice for expensive, high involvement products.

    Pink is

    Romantic, youthful, happy, sweet, spirited

    Pink transmits the same high energy as primary red from where it came however; it also has diverse mood swings that depend upon the value or intensity of the colour.
    Pink is often seen as energetic and youthful resulting in a feeling of movement and wild abandon.
    The best use for the more vivid shades of pink tends to be trendy products such as toys and novelty goods.
    Be cautious of bubble gummy pinks that tend to look cheap, artificial and immature.
    Pink is often perceived as a faddish colour and does not age as well as the more luxurious red.
    Vibrant, sexy pinks are a favourite of the cosmetic industry and like red, they create great attention at the point of purchase when a sultry, up-scale look is the goal.
    Magenta and fuchsia pinks that lean to red or purple are perceived as more "grown-up" because they're sensual yet theatrical at the same time.
    Once pink becomes lighter and the raw sensuality of red is gone, the result is a romantic, soft and feminine feel.
    Pink can give a rosy glow to anyone, resulting in a healthier look. For this reason pink would be an excellent choice in marketing health care products, cosmetic products and for facial salons and spas.

    Orange is

    Energizing, tangy, vital, friendly, inviting

    Radiant glowing sunsets, autumn's burnt leaves; bright and warm orange is seen as the hottest of all the colours.
    Playful and happy it is the perfect colour to choose for toys, games, inexpensive plastics or any product that is targeted towards a younger or young at heart audience.
    Since it can at times give a comedic, or cartoon like impression, it is not a good choice for conveying a serious or important message.
    The radiant warmth of orange tends to show very well in "ethnic" themes or products such as a Mexican salsa or an Indian Restaurant. Research indicates that orange has shown to exert a measurable effect on the appetite as it is inevitably connected to the sweet and juicy tang of the orange fruit.
    This combined with the overall warmth of orange makes it the perfect colour choice for dining areas, food service and food packaging.
    Further studies also indicate that lighter shades of orange such as peach, apricot, coral and melon tend to be pleasing to a more sophisticated eye and appeal to an upscale market.
    Like pink, peach also tends to deliver a healthy glow to skin. With this in mind, peach is an outstanding choice for healthcare products, cosmetics, make-up salons, and beauty products.

    Yellow is

    Cheerful, luminous, sunny, enlightening, warm

    Like the sun, yellow exudes light and warmth. When it is lightened, consumers see yellow as cheerful, mellow and soft. Even bright yellow is seen as cheerful although more energetic than the paler shades.
    Unlike other colours that deepen with saturation, yellow becomes brighter when it is saturated, making it highly reflective and noticeable before any other colour.
    Since the eye sees yellow first, it is the ideal colour to use on point of purchase displays to grab consumer's attention.
    Yellows that are similar to food in colour such as bananas, lemons, and custards are best used in the food service arena such as food products or dining areas.
    Studies show that American consumers prefer creamy, warm or sun-baked yellows to green-based yellows.
    On the flip side all shades of yellow, especially green-based are pleasing to Asian consumers.
    It is important to remember that the closer yellow gets to green, the more it is associated with acidic and tart tastes such as a Granny Smith apple.
    Just like in the natural world, yellow and black are difficult to ignore.
    Put together they have an almost dangerous connotation that forces people to beware and take notice (think stinging insects like bees).
    Likewise in a marketing sense, yellow and black force the consumer to take notice and pay attention making them an outstanding choice for signage or the packaging of products that are blatantly calling out from the market shelves.

    Brown is

    Rustic, rich, sheltering, durable, earthy

    Hearth and home, substance and stability; brown is the ultimate earth tone.
    Tones of brown such as brick, tan, clay and terracotta are seen as the most protective and secure shades since they are unavoidably connected to the earth.
    The brown shade of earth itself generally receives a positive response from consumers although from time to time, it can be related to dirt or being dirty which can be particularly problematic in the fashion industry.
    In interior design, brown has gained enormous visibility and respect and coveys a feeling of style and richness.
    People tend to feel secure in a brown interior; some say this is rooted in the days of cave dwellings, which were the only safe place from outside predators.
    In the food industry, the homey and earthy aspect of brown works exceptionally well. Some of the most healthy and organic foods are brown such as brown rice, bread and grains.
    Brown is also the colour of one of the world's most decadent and delicious food - chocolate! All in all, brown is well connected to fine tastes and is a good choice for food service and restaurants.

    Blue is

    Cool, serene, dependable, quiet, constant

    Since the beginning of time, water and sky have existed here on earth. It is because of this association that blue is seen as reliable, trustworthy and committed.

    It is a constant and dependable colour that inspires confidence making it an ideal choice for corporations that want to convey the same message to consumers.

    Banks and financial institutions often use blue to convey a message of dependability and trust to the public.
    Blue is also a very restful colour.
    When humans see blue they often feel serene and calm.
    Scientific evidence shows that when our eyes see blue, chemical signals that work like tranquilizers are released from the brain.
    Many hospitals now use blue frequently on the walls as well as for the uniforms on doctors and nurses.
    Blue is the perfect choice for use in products or services that promote relaxation and meditation.
    When any hue is darkened so that it moves closer to black, it immediately gives the colour a sense of power and strength.

    Navy blue is commonly used as a uniform colour for policemen and airline pilots as it conveys a message of instant authority and credibility in any area of business.
    Where black can seem a little too dark and ominous, navy blue tends to be a more approachable and friendly colour.

    Brilliant and electric blue add an entire new dimension of drama and exhilaration to this colour family. Periwinkle blues carry an undertone of purple incorporating the energy of red and are seen as the most playful blues.

    Consumers usually see teal blue as rich, unique, upscale and pleasing to every eye. It is the least gender specific colour in the spectrum.

    Traditionally blue has not been used in food packaging because of the strange association between the colour and food itself.
    However, because of blue's connection to clean water, it is commonly used in packaging and/or containers for some drinks and is a popular choice for designer drinking water.

    Green is

    Natural, refreshing, healing, soothing, lush

    Of any colour in the spectrum, green offers the widest array of choices.
    Word association tests show that most people link the majority of green shades to nature.

    Green provides the perfect background to plants and flowers of every conceivable colour and can therefore be used much in the same way as a neutral colour.
    It is also because of this connection to nature and foliage that most consumers respond to green as fresh, especially when viewing a mint green.

    Bright greens are commonly linked to grass and newness while emerald greens are seen as more elegant.
    Deep greens are commonly associated with pine trees and covey the same freshness as in a pine scent.
    Deep greens can also be associated with money, power and prestige. It offers a feeling of security and strength much like blue presents and is also a common choice for financial institutions.

    Blue greens such as aqua always elicit a pleasant response.
    There is an underlying element of warmth in aqua greens as in the temperature of warm, tropical waters.
    Blue-greens are an excellent choice for the use of packaging or for the actual colour of the product itself in personal hygiene or beauty products that reveal a soothing quality.
    Caution must be taken when using yellow-greens, which are best suited and accepted for gardening products or services.

    Yellow-greens are sometimes associated with illness and nausea and are therefore not recommended for use in marketing healthcare, dining areas, and boat or airplane interiors.
    On the flip side, children tend to love yellow-green, mainly because most adults dislike it. It's a trendy colour and when in fashion, it grabs attention and can be extremely effective when used out of context. Olive is also a shade of green that does not rate well, unless it is used in a complex way that appeals to the upscale buyer.

    Responses are also more positive when it is referred to as a name other than olive such as 'Verdant Moss'. Vegetable shades of green work very well and are a good choice for food service, dining areas and especially in the packaging of environmentally healthy or organic foods.

    Purple is

    Sensual, mysterious, regal, spiritual, dramatic

    The colour purple is something of an enigma. It conveys very different messages that depend largely upon the background of the person viewing it.
    Having a touch of red and blue in it's make up, it is both sensual and tranquil at the same time.
    It is a fantastic eye catcher and is very under-used in packaging, at point of purchase as well as in signage. The presence of red in the hue causes it to stand out but in a more controlled way than red.
    A deep purple with navy blue undertones is a good substitute for navy blue itself which is often overused.

    In it's more radiant intensities, it expresses a very futuristic quality that works well for products that involve cutting edge technologies.
    It is a complex colour that embraces a diversity of hues and undertones and is linked with artistry and uniqueness.

    Deep purple or royal purple is viewed by many as regal and majestic as the name implies, so the perceived value of products that use this hue are seen to be greater than with other colours.
    This is especially true in the European market or for people with European backgrounds.
    When gray is present as an undertone in purple, it lends a more sophisticated feel to the hue.

    As pink is to red, so is lavender to purple.
    This softer, diluted shade of purple carries a gentle, and sentimental tone.
    With the wide acceptance of lavender in the fashion industry, it has moved away from its previous association of 'little old ladies' and is now accepted by both genders and by a diverse age group. However, there is still a soft and delicate side to lavender and it is also connected to sweet tastes such as grapes along with soft, inviting scents.

    Neutrals is

    Classic, natural, quiet, timeless, quality

    The neutral tones of beige, gray and taupe are classified as a-chromatics, literally without colour, yet these shades succeed in delivering a message of dependability and timelessness.

    These colours can be seen in ancient monuments, buildings, temples and sand, all of which are viewed as being solid, enduring, and above all classic.
    These connotations are also transferred to the product or service in which neutrals are used. If the message is durability, permanence, high quality and dependability, neutrals are an ideal choice and can be used anywhere from interior design, packaging, clothing or other products.
    Neutrals are timeless and never go out of style therefore they will never date a product or service.

    However, depending on the undertones used, it can shift the temperature of a neutral and change its psychological impact.
    For instance, a sandy beige is more welcoming and friendly than a cool white and a warm gray is never as calm and collected as a cool gray.

    Light to medium grays are the most "non-committal" of all the colours in the spectrum and are highly recommended for work surfaces or areas where other colour matching takes place.
    It will not compete with any other colours and works well to reduce the intensity of bright, brilliant hues.

    A good alternative to black's power and presence is a charcoal gray, which is never as severe or overpowering as total black can be, particularly in living environments, clothing or packaging.
    For a futuristic or techno look, silver grays are a perfect choice as they are connected to minimal and sleek images.

    White is

    Pure, bright, innocent, pristine, elegant

    White undeniably coveys purity and simplicity but it is important to remember that the human eye sees white as a bright, brilliant colour. It is because of this that white is excellent for using as a contrasting colour in signage, packaging or at point of purchase, white will always catch the human eye. White also gives a feeling of cleanliness and is a good choice for infants' products or products involving personal hygiene and health.

    When pure white is used in interiors, it tends to be rather stark and lacks any feeling of warmth. However, it is also the symbol of absolute minimalism and when contrasted to another colour, can have a dramatic and stylish effect. It is the ultimate contrast to black however in print, packaging and product design it can give a very clean, minimalist and generic look which can be very effective.

    Off whites are extremely elegant and creamy whites in particular are often perceived as delicious making them an excellent choice for dining areas or food packaging.

    Black is

    Strong, classic, sophisticated, mysterious, powerful

    Mysterious and intriguing, the powerful essence of black is viewed by every product category as the most sophisticated and stylish shade. The power of black should not be underestimated; the consumer sees black as the most powerful, dramatic, elegant and expensive presence. Where food packaging is concerned the consumer will actually pay more for this "gourmet image" that black conveys.

    People's perception of black has changed dramatically over recent years and although it is still the colour of mourning in certain cultures, more people tend to identify black with sophisticated and upscale items causing the positive associations to outweigh the negative ones.

    Of course too much black can be a bit overpowering and packaging, signage, and advertising in general should never be entirely black as the message itself must be visible. However, black does give the message of strength and in consumer products wherever power, longevity and weight are concerned this is a definite asset.

    Black is an excellent choice for cars or appliances that imply durability and substance. The most quintessential and classic combination of colours is black and white, which conveys a message of strength, class, clarity and power.

    Continue Reading

    The Creative Brief: 10 questions I ask before starting a project

    It's Game on for Youth Soccer fans at The North Toronto Soccer Club starting every Spring.

    Summarizing all the factors that can impact your communications strategy in one document is essential to keeping in track at all stages of the development of a website or product.

    10 things you need to know:

    1. Company Background
    • Corporate and industry descriptions. What's your business? 
    • Description of the competition. What are you offering that's different?
    • Contact information:
      - who are the decision makers, who´s responsible for what
      - are their any other outside contractors working on the project or materials produced to date that we should be aware of
      - how much time can you commit to this?

    2. Project Overview
    • Mission statement. SWOT:  Strengths, Weaknesses, Opportunities, Threats
    • Branding. Is there existing direction or existing assets?
    • What are the important factors for success
      for example
      - integrated web strategy & corporate strategy
      - a web strategy to fit your marketing plans
      - Renovation. repurposing of existing content or information
      - creating a community for dedicated visitors
      - a quality multimedia experience (well executed graphics, writing, navigation)
      - Speed. I'm in a rush to market
      - ease of maintenance
      - doing better than our competition on the web
      - staying within the budget
      - people bookmark the site because they get so much out of it regularly
      - sending the message that we know the web and use it appropriately
    • Are there any plans to measure success

    3. Project Goals or Objectives
    • What are the basic goals of this project:
      for example
      - branding and identity reinforcement
      - improving access to information. collect and distribute information
      - online sales, direct sales
      - corporate communication. interacting with customers.

    4. Target Audiences
    • Primary web audiences 
    • Secondary web audiences
    • Who is the audience. Who do we want to attract
    • What are the different groups within the audience(s)
    • What jobs/functions/activities do they perform
    • Are they in one or more locations (depts, countries, companies, facilities)
    • Do we have a multilingual audience
    Requirements for using/accessing information
    • Will the web site be used for:
      - providing or acquiring product information
      - purchasing products/services
      - answer questions for themselves and others
      - locate related resources
      - gain new knowledge and skills
      - perform procedures
      - conduct research
    Knowledge of content
    • What is the primary web audience's knowledge of the content:
      - is it new to them
      - are they familiar with the content
    • What is the secondary web audience's knowledge of the content:
      - is it new to them
      - are they familiar with the content
    Experience with technology
    • What is the comfort level with the web and the browser
    • What kind of browsers are they likely to use
    • Are there bandwidth or download issues to consider
    • Is the audience comfortable using a search function and other interactive features
    • Will the audience need to print what they see on the web.

    5. Information Summary
    What information needs to be included
    • Where will the information come from
    • does the information already exist
    • in what format does it exist.
      How will it be supplied:
      - brochures, current web site, define electronic format and delivery
    • Do we need to:
      - create new content. Writer required.
      - edit existing content. Editor required. 
    • Does video, audio, graphics or animation need to be created to support the topics.
      - Does any already exist. How much and in what form?
    Ownership of information
    • Did the information come from inside the company
    • Do we have permission to use it
    • Are there sensitivities regarding the approval process within different business units or partner arrangements
    Updates/revisions needed
    • Is any information provided not appropriate for the web
    • How many sets of revisions are anticipated before the information is ready for development
    • Is the information static or dynamic or a combination
    • How often are updates and revisions required
    • Who will be responsible for updates
    • Is the information currently accurate.

    6. Branding: Desired Image Attributes
    This provides guidance for the tone and manner of the organization's communications and function as criteria for the development and evaluation of the site.
    • Define the image attributes. What it is, what it isn't.
    • Provide illustrative tips for visually (assist in look and feel) and verbally (assist in copy development) defining your desired image attributes.
    • What qualities do you want to emulate on your web site.
    • What sites or companies.

    Here are some examples of image attributes

    A world-class corporation whose operating companies have recognized reputations and proven track records of performance, experience and expertise in energy transportation, distribution and related services.
    • high quality production and paper stocks
    • use of imagery
    • full colour
    • copy should be, forward-focused, while referencing past successes
    • reference entire organization to convey breadth, depth and expertise
    Leading IS:
    • Well-regarded. Evolving. Experienced. Skilled. Visionary. Wise
    Leading IS NOT:
    • Complacent. Rigid. Arrogant. Bureaucratic. Risk-averse
    A company with the momentum, insight and motivation to continually meet the challenges and seize the opportunities of the evolving energy industry.
    • expansive layouts
    • ample "white space"
    • graphic representations of growth (e.g. charts, maps)
    • speak of initiatives throughout the organization
    • use benchmark measurements to illustrate improvements and set context for growth
    Growing IS: 
    • Energetic. Agile. Strategic. International. Proactive. Opportunistic
    Growing IS NOT:
    • Unfocused. Reactive. Staid. Short-sighted. Impulsive
    A market-oriented company that delivers results and satisfaction by anticipating and meeting customers' needs , requirements and expectations.
    • active people-based illustration and photography
    • developed friendly graphics, clear lines and simple layouts
    • use clear, professional language that communicates expertise and demonstrates understanding
    • benefit-driven copy and headlines
    Customer-focused IS:
    • Responsive. Flexible. Understanding. Accessible. Cooperative. Knowledgeable
    Customer-focused IS NOT:
    • Inwardly-focused. Condescending. Presumptuous. Complicated. Remote. Uncompromising
    A consistently dependable and trusted company that is focused, financially sound, socially responsible and ethically credible.
    • bold use of colour, shapes and graphics
    • use a crisp, confident tone without appearing arrogant
    • use bulleted text to emphasize key points
    • avoid flowery, overly-descriptive prose
    Strong IS:
    • Established. Trustworthy. Responsible. Stable. Honest. Consistent
    Strong IS NOT:
    • Overbearing. Insincere. Flighty. Over extended. Invincible
    A forward thinking, technologically astute company that finds creative, progressive ways to better serve its customers, improve operations and deliver value.
    • unusual cropping of imagery
    • unexpected combinations creating visual interest
    • develop refreshing uses of well known concepts
    • provide status reports and updates
    • solicit input and utilize interactive and electronic formats (e.g. Q & A, intranet)
    Innovative IS:
    • Progressive. Leading-edge. Continually improving. Incremental. Creative. Inquisitive
    Innovative IS NOT:
    • Traditional. Confined. Historic. Satisfied. Finished


    Provide your overall favourite sites and reasons for your choices
    - colours, look and feel, user interface, layout
    - size of site
    - publishing model
    - quality of graphics and content
    - functional elements.

    7. Functionality
    • What functional requirements do you believe are necessary
    • What do you want your visitors to be able to do at the site:
      - download areas (extranet)
      - database-driven
      - catalog, e-commerce
      - applications
      - submit forms
    • Who will update and maintain functionality
    • Are there any security issues or considerations
    • Have you budgeted for hosting and maintenance of the site
    • How will the site be served/hosted
    • What type of database systems are in place
    • What is your longterm plan for the site
    • online catalog of products and have full e-commerce capabilities
    • input on surveys
    • enter contest or promotions
    • member account services including the V.I.P.program.

    8. Target Audience Configuration Assumptions 

    Operating System and browser compatibility

    What platform or device will your audience be viewing your materials on. eg standard desktop browser, laptop, ipad, mobile device etc. Browsers include Google Chrome, Firefox, Safari etc.

    HTML Component examples
    • All HTML pages will minimally be developed using the W3C XTML standard. (displayed to end user as HTML 5)
    • Animated GIFs
    • CSS (cascading stylesheets) will be implemented to control the style of the Web documents without compromising its structure. By separating visual design elements (fonts, colors, margins, and so on) from the structural logic of a Web page, CSS gives visual control without sacrificing the integrity of the data - thus maintaining its usability in multiple environments. In addition, defining typographic design and page layout from within a single, distinct block of code - to minimize the use of image maps, <font> tags, tables, and spacer GIFs - allows for faster downloads, streamlined site maintenance, and instantaneous global control of design attributes across multiple pages.
    • JavaScript to extend the capabilities of HTML.
    • User interface rollovers, menu bars, page behaviour, and routines to create dynamic, user-centred design.
    • Layout & CSS scaling design, relative layout, conditional colours, and routines for scripting the design.

    9. Final Deliverables
    Expectations on project delivery:
    • Design prototype - HTML templates
    • Web Site design components (flattened or layered photoshop files, original jpegs, cut up and optimized graphics)
    • Other format considerations, (Print, TV/Video) branding across multiple media
    • Style Guide - document of development decisions
    • Site Inventory (print outs, style guide, site architecture, content inventory checklist)
    • Partnership considerations
    • Return of supplied materials.

    10. Additional requirements
    • Competitive Analysis. What's the competition up to?
    • Search Engine Optimization [SEO]
    • Social Media marketing strategy.

    Continue Reading